If the social does not exist as a special domain but, in Bruno Latour's words, as ?a peculiar movement of re-association and reassembling?, what implications does this have for how ?the cultural? might best be conceived? What new ways of thinking the relations between culture, the economy and the social might be developed by pursuing such lines of inquiry? And what are the implications for the relations between culture and politics? Contributors draw on a range of theoretical perspectives, including those associated with Deleuze and Guattari, Foucault, Law and Haraway, in order to focus on the roles of different forms of expertise and knowledge in producing cultural assemblages. What expertise is necessary to produce indigenous citizens? How does craniometry assemble the head? What kinds of knowledge were required to create markets for life insurance? These and other questions are pursued in this collection through a challenging array of papers concerned with cultural assemblages as diverse as brands and populations, bottled water and mobile television.

Russian formalism and Marxist criticism had a seismic impact on 20th-century literary theory and the shockwaves are still felt today. First published in 1979, Tony Bennett's "Formalism and Marxism" created its own reverberations by offering a new interpretation of the Formalists' achievements and demanding a new way forward in Marxist criticism. The author first introduces and reviews the work of the Russian Formalists, a group of theorists who made an extraordinarily vital contribution to literary criticism in the decade following the October Revolution of 1917. Placing the work of key figures in context and addressing such issues as aesthetics, linguistics and the category of literature, form and function or literary evolution, Bennett argues that the Formalists' concerns provided the basis for a radically historical approach to the study of literature. Bennett then turns to the situation of Marxist criticism and sketches the risks it has run in becoming overly entangled with the concerns of traditional aesthetics. He forcefully argues that through a serious and sympathetic reassessment of the Formalists and their historical approach, Marxist critics might find their way back on

This important new work explores how evolutionary museums developed in the US, UK, and Australia in the late 19th century. This historical investigation also contributes to current debates, both on relationships between culture and the social, and to the rapidly changing practices of modern museums as they seek to shed the legacies of both evolutionary conceptions and colonial science, with the goal of contributing to the development and management of cultural diversity.

Tony Bennett's invigorating study enriches and challenges our understanding of the modern museum placing it at the centre of modern relations of culture and government.
Bennett argues that the public museum should be understood not just as a place of instruction but as a reformatory of manners in which a wide range of regulated social routines and performances take place. Discussing the historical development of museums alongside that of the fair and the international exhibition, he sheds new light upon the relationship between modern forms of official and popular culture.
In a series of richly detailed case studies from Britain, Australia and North America, Bennett investigates how nineteenth- and twentieth-century museums, fairs and exhibitions have organised their collections, and their visitors. His use of Foucaltian perspectives and his consideration of museums in relation to other cultural institutions of display provides a distinctive perspective on contemporary museum policies and politics.

The increasing significance of managing or changing habits is evident across a range of pressing contemporary issues: climate change, waste management, travel practices, and crowd control. Assembling and Governing Habits engages with the diverse ways in which habits are governed through the knowledge practices and technologies that have been brought to bear on them. The volume addresses three main concerns. The first focuses on how the habit discourses proposed by a range of disciplines have informed the ways in which different forms of expertise have shaped the ways in which habits have been managed or changed to bring about specific social objectives. The second concerns the ways in which habits are acted on as aspects of infrastructures which constitute the interfaces through which technical systems, human conducts and environments are acted on simultaneously. The third concerns the specific ways in which habit discourses and habit infrastructures are brought together in the regulation of 'city habits': that is, habits which have specific qualities arising out of the specific conditions - the rhythms and densities - of urban life and ones which, in the wake of the COVID-19 pandemic, have been profoundly disrupted. Written in a clear and direct style, the book will appeal to students and scholars with an interest in cultural studies, sociology, cultural geography, history of the sciences, and posthuman studies.

First published in 1990, Popular Fiction looks at popular fiction in its literary, filmic, and televisual forms. They range across the main genres of popular fiction: science fiction, soap opera, detective fiction, the spy-thriller, the western, film noir, and comedy. Grouped into sections, the essays explore major themes in the study of popular fiction: the functioning of popular fiction within technologies of cultural regulation, the relations between popular fiction and nationalism; the connections between popular fictions and relations of power and knowledge; and the social and ideological factors moulding both the production and reading of popular fictions. Designed especially as a student text, this book will be invaluable to students of English and literary studies, media studies, film and TV studies, communication studies, and cultural studies.

Habit has long preoccupied a wide range of theologians, philosophers, sociologists, psychologists, and neuroscientists. In Habit’s Pathways Tony Bennett explores the political consequences of the varied ways in which habit’s repetitions have been acted on to guide or direct conduct. Bennett considers habit’s uses and effects across the monastic regimens of medieval Europe, in plantation slavery and the factory system, through colonial forms of rule, and within a range of medicalized pathologies. He brings these episodes in habit’s political histories to bear on contemporary debates ranging from its role in relation to the politics of white supremacy to the digital harvesting of habits in practices of algorithmic governance. Throughout, Bennett tracks how habit’s repetitions have been articulated differently across divisions of class, race, and gender, demonstrating that although habit serves as an apparatus for achieving success, self-fulfilment, and freedom for the powerful, it has simultaneously served as a means of control over women, racialized peoples, and subordinate classes.

The increasing significance of managing or changing habits is evident across a range of pressing contemporary issues: climate change, waste management, travel practices, and crowd control. Assembling and Governing Habits engages with the diverse ways in which habits are governed through the knowledge practices and technologies that have been brought to bear on them. The volume addresses three main concerns. The first focuses on how the habit discourses proposed by a range of disciplines have informed the ways in which different forms of expertise have shaped the ways in which habits have been managed or changed to bring about specific social objectives. The second concerns the ways in which habits are acted on as aspects of infrastructures which constitute the interfaces through which technical systems, human conducts and environments are acted on simultaneously. The third concerns the specific ways in which habit discourses and habit infrastructures are brought together in the regulation of 'city habits': that is, habits which have specific qualities arising out of the specific conditions - the rhythms and densities - of urban life and ones which, in the wake of the COVID-19 pandemic, have been profoundly disrupted. Written in a clear and direct style, the book will appeal to students and scholars with an interest in cultural studies, sociology, cultural geography, history of the sciences, and posthuman studies.

Fields, Capitals, Habitus provides an insightful analysis of the relations between culture and society in contemporary Australia. Presenting the findings of a detailed national survey of Australian cultural tastes and practices, it demonstrates the pivotal significance of the role culture plays at the intersections of a range of social divisions and inequalities: between classes, age cohorts, ethnicities, genders, city and country, and the relations between Indigenous and non-Indigenous Australians. The book looks first at how social divisions inform the ways in which Australians from different social backgrounds and positions engage with the genres, institutions and particular works of culture and cultural figures across six cultural fields: the visual arts, literature, music, heritage, television and sport. It then examines how Australians' cultural preferences across these fields interact within the Australian 'space of lifestyles'. The close attention paid to class here includes an engagement with role of 'middlebrow' cultures in Australia and the role played by new forms of Indigenous cultural capital in the emergence of an Indigenous middle class. The rich survey data is complemented throughout by in-depth qualitative data provided by interviews with survey participants. These are discussed more closely in the final part of the book which explores the gendered, political, personal and community associations of cultural tastes across Australia's Anglo-Celtic, Italian, Lebanese, Chinese and Indian populations. The distinctive ethical issues associated with how Australians relate to Indigenous culture are also examined. In the light it throws on the formations of cultural capital in a multicultural settler colonial society, Fields, Capitals, Habitus makes a landmark contribution to cultural capital research.

Fields, Capitals, Habitus provides an insightful analysis of the relations between culture and society in contemporary Australia. Presenting the findings of a detailed national survey of Australian cultural tastes and practices, it demonstrates the pivotal significance of the role culture plays at the intersections of a range of social divisions and inequalities: between classes, age cohorts, ethnicities, genders, city and country, and the relations between Indigenous and non-Indigenous Australians. The book looks first at how social divisions inform the ways in which Australians from different social backgrounds and positions engage with the genres, institutions and particular works of culture and cultural figures across six cultural fields: the visual arts, literature, music, heritage, television and sport. It then examines how Australians' cultural preferences across these fields interact within the Australian 'space of lifestyles'. The close attention paid to class here includes an engagement with role of 'middlebrow' cultures in Australia and the role played by new forms of Indigenous cultural capital in the emergence of an Indigenous middle class. The rich survey data is complemented throughout by in-depth qualitative data provided by interviews with survey participants. These are discussed more closely in the final part of the book which explores the gendered, political, personal and community associations of cultural tastes across Australia's Anglo-Celtic, Italian, Lebanese, Chinese and Indian populations. The distinctive ethical issues associated with how Australians relate to Indigenous culture are also examined. In the light it throws on the formations of cultural capital in a multicultural settler colonial society, Fields, Capitals, Habitus makes a landmark contribution to cultural capital research.

This book brings together leading scholars and practitioners to take stock of the frictions generated by a tumultuous time in the Australian art field and to probe what the crises might mean for the future of the arts in Australia. Specific topics include national and international art markets; art practices in their broader social and political contexts; social relations and institutions and their role in contemporary Australian art; the policy regimes and funding programmes of Australian governments; and national and international art markets. In addition, the collection will pay detailed attention to the field of indigenous art and the work of Indigenous artists. This book will be of interest to scholars in contemporary art, art history, cultural studies, and Indigenous peoples.

Celebrating the Nation offers the first major critical retrospective on Australia's Bicentenary. The editors have collected a series of essays focusing on the different ways in which 1988 was celebrated. From the soccer Gold Cup to literary commissions, from Expo 88 to the Travelling Exhibition and the Stockman's Hall of Fame, it examines the cultural and ideological frameworks which shaped the discourses and rhetoric of those celebrations. The contributors also put the Australian Bicentenary of 1988 in historical and international perspective, comparing the celebrations of 1988 with earlier Australian anniversary celebrations, and with recent national celebrations in France, Canada and the United States. Drawing on the findings of a major research project organised by the Institute for Cultural Policy Studies at Griffith University, Celebrating the Nation provides a provocative and insightful analysis of the cultural and political processes through which modern nations organise and symbolise their histories and identities.

This book discusses two related themes concerning the role and processes of mass communication in society. The first deals with questions regarding the power of the media: how should it be defined? how is it wielded and by whom? are previous approaches and answers to such questions adequate? The second theme revolves around the divisions between the liberal pluralist and Marxist approaches to the analysis of the nature of the media. These divisions have, in recent years, been fundamental to the debate concerning the understanding of the role of mass communication, and the examination of them in this book will challenge the reader to look more closely at a number of assumptions that have long been taken for granted.

This book brings together leading scholars and practitioners to take stock of the frictions generated by a tumultuous time in the Australian art field and to probe what the crises might mean for the future of the arts in Australia. Specific topics include national and international art markets; art practices in their broader social and political contexts; social relations and institutions and their role in contemporary Australian art; the policy regimes and funding programmes of Australian governments; and national and international art markets. In addition, the collection will pay detailed attention to the field of indigenous art and the work of Indigenous artists. This book will be of interest to scholars in contemporary art, art history, cultural studies, and Indigenous peoples.

Making Culture, Changing Society proposes a challenging new account of the relations between culture and society focused on how particular forms of cultural knowledge and expertise work on, order and transform society. Examining these forms of culture's action on the social as aspects of a historically distinctive ensemble of cultural institutions, it considers the diverse ways in which culture has been produced and mobilised as a resource for governing populations. These concerns are illustrated in detailed case studies of how anthropological conceptions of the relations between race and culture have shaped - and been shaped by - the relationships between museums, fieldwork and governmental programmes in early twentieth-century France and Australia. These are complemented by a closely argued account of the relations between aesthetics and governance that, in contrast to conventional approaches, interprets the historical emergence of the autonomy of the aesthetic as vastly expanding the range of art's social uses. In pursuing these concerns, particular attention is given to the role that the cultural disciplines have played in making up and distributing the freedoms through which modern forms of liberal government operate. An examination of the place that has been accorded habit as a route into the regulation of conduct within liberal social, cultural and political thought brings these questions into sharp focus. The book will be of interest to students and scholars of sociology, cultural studies, media studies, anthropology, museum and heritage studies, history, art history and cultural policy studies.

This edited collection is a major contribution to the current development of a 'material turn' in the social sciences and humanities. It does so by exploring new understandings of how power is made up and exercised by examining the role of material infrastructures in the organization of state power and the role of material cultural practices in the organization of colonial forms of governance. A diverse range of historical examples is drawn on in illustrating these concerns - from the role of territorial engineering projects in seventeenth-century France through the development of the postal system in nineteenth-century Britain to the relations between the state and road-building in contemporary Peru, for example. The colonial contexts examined are similarly varied, ranging from the role of photographic practices in the constitution of colonial power in India and the measurement of the bodies of the colonized in French colonial practices to the part played by the relations between museums and expeditions in the organization of Australian forms of colonial rule. These specific concerns are connected to major critical re-examination of the limits of the earlier formulations of cultural materialism and the logic of the 'cultural turn'. The collection brings together a group of key international scholars whose work has played a leading role in debates in and across the fields of history, visual culture studies, anthropology, geography, cultural studies, museum studies, and literary studies.

These proceedings include digital media with the full conference papers (3600+ pages). Sustainable and Safe Dams Around the World contains the contributions presented at the 2019 Symposium of the International Commission on Large Dams (ICOLD 2019, Ottawa, Canada, 9-14 June 2019). The main topics of the book include: 1. Innovation (recent advancements and techniques for investigations, design, construction, operation and maintenance of water or tailings dams and spillways) 2. Sustainable Development (planning, design, construction, operation, decommissioning and closure management strategies for water resources or tailings dams, e.g. climate change, sedimentation, environmental protection, risk management). 3. Hazards (design mitigation and management of hazards to water or tailings dams, appurtenant structures, spillways and reservoirs (e.g. floods, seismic, landslides). 4. Extreme Conditions (management for water or tailings dams (e.g. permafrost and ice loading, arid/wet climates, geo-hazards). 5. Tailings (design, construction, operation and closure for tailings dams; recent advancements and best practice) Sustainable and Safe Dams Around the World will be invaluable to academics and professionals interested or involved in dams. Un monde de barrages durables et securitaires contiennent les contributions presentees lors du symposium de 2019 de la Commission internationale des grands barrages (CIGB 2019, Ottawa, Canada, 9-14 juin 2019). Les principaux sujets du livre incluent: 1. Innovation (Avancees et techniques recentes pour l'investigation, la conception, la construction, l'exploitation et l'entretien de barrages hydrauliques, de barrages de steriles et d'evacuateurs de crues) 2. Developpement durable (strategies de gestion pour la planification, la conception, la construction, l'exploitation, la mise hors service et la fermeture de barrages hydrauliques ou des barrages de steriles, par exemple, changement climatique, sedimentation, protection de l'environnement, gestion des risques). 3. Risques (mesures d'attenuation et gestion des risques lies aux barrages hydrauliques et barrages de steriles, aux ouvrages annexes, aux evacuateurs de crues et aux reservoirs, par exemple, inondations, tremblements de terre, glissements de terrain). 4. Environnement extreme (gestion des barrages hydrauliques et barrages de steriles, par exemple, pergelisol et charge de glace, climats secs / humides, georisques). 5. Barrages de steriles (conception, construction, exploitation et fermeture des barrages de steriles; avancees recentes et meilleures pratiques). Un monde de barrages durables et securitaires seront d'une valeur inestimable pour les universitaires et les professionnels interesses ou impliques dans les barrages.

This edited collection is a major contribution to the current development of a 'material turn' in the social sciences and humanities. It does so by exploring new understandings of how power is made up and exercised by examining the role of material infrastructures in the organization of state power and the role of material cultural practices in the organization of colonial forms of governance.

A diverse range of historical examples is drawn on in illustrating these concerns - from the role of territorial engineering projects in seventeenth-century France through the development of the postal system in nineteenth-century Britain to the relations between the state and road-building in contemporary Peru, for example. The colonial contexts examined are similarly varied, ranging from the role of photographic practices in the constitution of colonial power in India and the measurement of the bodies of the colonized in French colonial practices to the part played by the relations between museums and expeditions in the organization of Australian forms of colonial rule. These specific concerns are connected to major critical re-examination of the limits of the earlier formulations of cultural materialism and the logic of the 'cultural turn'.

The collection brings together a group of key international scholars whose work has played a leading role in debates in and across the fields of history, visual culture studies, anthropology, geography, cultural studies, museum studies, and literary studies.

Celebrating the Nation offers the first major critical retrospective on Australia's Bicentenary. The editors have collected a series of essays focusing on the different ways in which 1988 was celebrated. From the soccer Gold Cup to literary commissions, from Expo 88 to the Travelling Exhibition and the Stockman's Hall of Fame, it examines the cultural and ideological frameworks which shaped the discourses and rhetoric of those celebrations.The contributors also put the Australian Bicentenary of 1988 in historical and international perspective, comparing the celebrations of 1988 with earlier Australian anniversary celebrations, and with recent national celebrations in France, Canada and the United States.Drawing on the findings of a major research project organised by the Institute for Cultural Policy Studies at Griffith University, Celebrating the Nation provides a provocative and insightful analysis of the cultural and political processes through which modern nations organise and symbolise their histories and identities.

Few perspectives have invigorated the development of critical museum studies over the late twentieth and early twenty-first centuries as much as Foucault's account of the relations between knowledge and power and their role in processes of governing. Within this literature, Tony Bennett's work stands out as having marked a series of strategic engagements with Foucault's work to offer a critical genealogy of the public museum, offering an account of its nineteenth-century and early twentieth-century development that has been constantly alert to the politics of museums in the present. Museums, Power, Knowledge brings together new research with a set of essays initially published in diverse contexts, making available for the first time the full range of Bennett's critical museology. Ranging across natural history, anthropological art, geological and history museums and their precursors in earlier collecting institutions, and spanning the eighteenth to the twenty-first centuries in discussing museum practices in Britain, Australia, the USA, France and Japan, it offers a compelling account of the shifting political logics of museums over the modern period. As a collection that aims to bring together the 'signature' work of a museum theorist and historian whose work has long occupied a distinctive place in museum/society debates, Museums, Power, Knowledge will be of interest to researchers, teachers and students working in the fields of museum and heritage studies, cultural history, cultural studies and sociology, as well as museum professionals and museum visitors.

Habit has long preoccupied a wide range of theologians, philosophers, sociologists, psychologists, and neuroscientists. In Habit’s Pathways Tony Bennett explores the political consequences of the varied ways in which habit’s repetitions have been acted on to guide or direct conduct. Bennett considers habit’s uses and effects across the monastic regimens of medieval Europe, in plantation slavery and the factory system, through colonial forms of rule, and within a range of medicalized pathologies. He brings these episodes in habit’s political histories to bear on contemporary debates ranging from its role in relation to the politics of white supremacy to the digital harvesting of habits in practices of algorithmic governance. Throughout, Bennett tracks how habit’s repetitions have been articulated differently across divisions of class, race, and gender, demonstrating that although habit serves as an apparatus for achieving success, self-fulfillment, and freedom for the powerful, it has simultaneously served as a means of control over women, racialized peoples, and subordinate classes.

"Rock and Popular Music" examines the relations between the policies and institutions which regulate contemporary popular music and the political debates, contradictions and struggles in which those musics are involved. International in its scope and conception, this innovative collection brings together some of the most authoritative writers on rock and popular music in North America, Europe and Australia. The essays explore and develop three main areas of debate. First, comparative examinations of the role played by governments in either supporting or inhibiting the development of popular music industries reveal a significant diversity of relations between the state and the musical sphere. A second theme demonstrates the important role of broadcasting policies in organizing the "audio-spaces" within which particular musical communities can be formed and seek expression, and finally the book reconsiders some of the classical political issues of rock and popular music theory and debate in the context of their specific policy and institutional settings.

eBook available with sample pages: HB:041506368X

Contents:
Preface 1.Outside Literature 2. In the Cracks of Historical Materialism 3. Literature/History 4. The Sociology of Genres 5. Severing the Aesthetic Connection 6. Really Useless 'Knowledge' 7. Aethetics and Literary Education 8. Critical Illusions 9. The Prison House of Criticism 10. Criticism and Pedagogy 11.Inside/Outside Literature

If the social does not exist as a special domain but, in Bruno Latour's words, as 'a peculiar movement of re-association and reassembling', what implications does this have for how 'the cultural' might best be conceived? What new ways of thinking the relations between culture, the economy and the social might be developed by pursuing such lines of inquiry? And what are the implications for the relations between culture and politics? Contributors draw on a range of theoretical perspectives, including those associated with Deleuze and Guattari, Foucault, Law and Haraway, in order to focus on the roles of different forms of expertise and knowledge in producing cultural assemblages. What expertise is necessary to produce indigenous citizens? How does craniometry assemble the head? What kinds of knowledge were required to create markets for life insurance? These and other questions are pursued in this collection through a challenging array of papers concerned with cultural assemblages as diverse as brands and populations, bottled water and mobile television.